Secondly, I was taken to a “break dance” class where young women, some of them wearing hijabs, were learning dance moves perfected among B-Boys and b-girls in The Bronx 40 years before.įinally, I was shown a state of the art music studio where beat makers and rappers were producing original music in which the language of choice varied between German, Turkish and English.Īnd this was not the only place where I saw the four arts forms of hip hop honored this way.
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Almost every surface inside and outside the building was covered by elaborate, multicolored, murals in the style of the graffiti art that covered subway trains in New York in the 70’s and 80s’.Ĭlearly, in this section of Berlin what was still seen as “vandalism” among many New Yorkers was prized as an expressive art form to be encouraged among young people in poor and immigrant neighborhoods. I was stunned by the visual image it projected. When I was first brought to Berlin to lecture about Bronx Hip Hop Culture in 2005, my hosts took me to an abandoned school in the Kreuzberg section of that city which had been turned into a community center. What evolved in The Bronx in the early and mid 70s, and which spread to disenfranchised communities around the world in the 80s, consisted of four connected components: DJing and beat making, the original art form which set the Hip Hop Revolution in motion B-Boying or Break Dancing, a form of acrobatic group dancing that bore more than a few commonalities with martial arts Graffiti art, a form of illegal public art and self-expression which found its way into flyers announcing hip hop events as well as on buildings and transportation systems, and finally, Mc’ing or rapping, rhyming over beats in a style that could vary from the boastful, to the reflective to the assertively political.ĪLL of these art forms, which emerged in The Bronx in the middle and late 70’s, spread around the world TOGETHER, disseminated by film and music video, and can be found today in almost every city in the world in one form or another. Some people think of Hip Hop exclusively as “rap music,” an art form taken to its highest form by people like Tupac Shakur, Missy Elliot, JZ, Nas, Kendrick Lamar, Wu Tang Clan and other masters of that verbal and musical art, but I am thinking of it as a multilayered arts movement of which rapping is only one component. And I am proud to share it not only with my wonderful Rock and Roll to Hip Hop class but with C-Span’s global audience through its lectures in American history series.īefore going into the substance of my lecture, which explores some features of Bronx history which many people might not be familiar with, I want to explain what definition of Hip Hop that I will be using in this talk. It is a story filled with ironies, unexplored connections and lessons for today. It is about how young people in a section of New York widely regarded as a site of unspeakable violence and tragedy created an art form that would sweep the world. Can Can also hosts wine dinners and has drink specials, and is open late, especially on Friday and Saturday nights.What I am about to describe to you is one of the most improbable and inspiring stories you will ever hear.
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The venue has a dress code to be aware of before attempting to enter. Babes of Carytown: One of Richmond's longest-running and most beloved LGBTQ+ businesses, this reliably fun, lesbian-centric (but all-welcoming) bar and restaurant offers dancing, late-night drinks, Karaoke, drag shows, and a generally friendly crowd.
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It's close to the convention center and many downtown hotels and attractions. This convivial venue with a restaurant serving up nachos, salads, and more is a fun spot for Tuesday Game Nights, Thursday Martini Nights, and other events.